![]() If one studio can pull this off with a dramatic feature, so can another. ![]() ![]() However, at a time when the marketplace has lost faith in the durability of non-tentpole, non-genre movies, the overperformance of A Man Called Otto provides a tremendous amount of hope for older-skewing titles. In some ways, it’s not shocking to see Sony hit a double at the box office it has done so before with adult-, often female-skewing properties such as last summer’s Where the Crawdads Sing ($17.2M $90.2M domestic final), the fall’s novel The Woman King ($19M opening $67M domestic) and, pre-pandemic, the big holiday sleeper Little Women ($16.7M $108M domestic). Sony, however, always knew its had the goods with an old-fashioned, moving title, one that would win over its audience - hence its A CinemaScore and 5-star exits on ComScore/Screen Engine’s PostTrak. ![]()
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